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Why illustration is important in children’s books?

Why illustration is important in children’s books

The easiest way to make kids love and enjoy reading is by using illustrations. You might have noticed that old-age books such as the Bible have lots of illustrations, which is an effective way to capture the attention of the readers. Illustration implies highlighting a particular point so that the learner can easily understand the meaning without having to read a lot of text. Note that illustration is different from drawings, sketches, and other forms of art. But why is an illustration so vital when it comes to children’s books?

Motivation to Read

For you to get your kids to read, you have to motivate them. The easiest and most effective way to do this is by providing colorful illustrations. Remember that kids are not too much into the storyline, but would want to see more illustrations as they flip page after page.

Strengthens Visual Thinking

When a kid is flipping through a book full of pictures they will be able to connect with those pictures. They will develop a skill where they can see an image and think to come up with the concept being conveyed by the illustration.

Strengthens Listening Skills

A book full of pictures and other forms of illustrations helps kids not just connect with the pictures, but also be good listeners. This is achieved by one individual reading the book aloud, while others listen keenly.

Effective Learning Tools

Schools all over the world understand and are constantly utilizing the power of illustrations and are constantly using it as an effective learning tool. Illustrations have a way of introducing new ideas to kids in a way that no teacher can. Things such as fruits, vegetables, or even animals get introduced to kids while still young, and in a very effective way.

Helps Kids Build Self-Control and Confidence

A kid reading a book full of pictures can determine when to pause, continue reading stop reading, and all that. This is not possible in the real world, where a set of rules controls everything. As such, the kids can develop special skills such as self-control and confidence when reading.

There is every reason why you need to introduce your kid to illustrative books as early as possible. Such books will sharpen your child’s way of thinking and will make him a star when it comes not just to class matters, but also to real-life issues as well.

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What’s a reversal in animation?

Reversal in Animation

In most cases, people get puzzled when they hear a new word in their profession. In many instances, some newbies in animation have always marveled at how some terms seemed dangerous in the field. Hence, in this article, we are going to learn what’s a reversal in animation and help you get to know it and perform it. Caution it doesn’t mean getting pork instead of cucumbers.

In animation, a reversal generally refers to an arc or line of action through the body mirroring into its “opposite” shape. Mostly in body forms when performing chores or making any movement that requires you to change your position and form to the exact opposite.

To demonstrate this in real life and apply it to a drawing, check the example of lifting a luggage box from the floor, the body will bend in successive moves which you will require to capture in your animation, hence the idea of a reversal so as to reveal the power and immensely help the animators learn the working mechanics of the body of their subjects.

When a subject is lifting that luggage box you will need to capture each move in an arc so that the work is smooth and clear. The first step the subject will do is allow the box’s weight to fall on their tummy and most likely later onto the waist and that will make them shove down. This forces the shoulders to relax and come down a little then the weight will rest onto his legs as the spine bends and that makes the subject stable as the hips projects forwards and they will not fall down.

In this simple successive explanation, now you can try other reversals like greetings, picking stones, or stretching hands out.

It’s important to note that it will be improper to jump into making a reversal without visualizing how it goes and recoils or observing real-life situations.

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Key Things You Need To Succeed As An Animator

Succeed As an Animator

When you are new to any game, you need to learn the rules of the game and play it right. Similarly, when one is new in the animation world, there are also several laws that one has to learn in order to ensure that he/she fits properly in that field. Also, this entails the aspect of trying something new each time, improving your skills, and knowing your people. Below are some of the key things that will help you become a successful animator:

Master your craft:

This means understanding your work very well. If you take it as a joke then it will not play well with you. Animation as a career demands a lot more than just being born talented; it’s good if you always try to improve your skills. That will make you known and a favorite amongst all your peers and competitors.

Be ready to share:

There’s an old saying that ‘it’s in giving that we receive’ apparently that’s very true. In the animation world if you don’t share more often with others you will not learn something new. It’s easier to learn more things when you engage those ones in the industry and be ready to be corrected or show how something is done.

Be an observer:

A great animator should be a keen observer; this will help you get many ideas for your projects. Let the world around you be your center of creativity, you will realize that in each outdoor activity, a shot is discovered, a move, or a character is born. Therefore getting to the outside and observing will be of great help.

Be an actor yourself:

This is possible for everyone out there who does animation. When you make yourself one of the characters of your work, there’s the likelihood of you detailing everything well as you know yourself and how you act in each set of emotions or situations. This also will allow you to travel to your dreamlands on the animation aspect by putting your dreams to be your projects.

Last but not least don’t lose focus, this is the greatest treasure that will propel you to greater heights as it makes you be patient and determined to reach your goals as an animator. Here you can explore some great works done by professional animators.

For more Contact Us Now: info@prayananimation.com

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Difference between Traditional and Computer Animation

Difference between Traditional and Computer Animation

Each day we get exposed to different kinds of animations and with the improved precision among animators, it’s now almost difficult to note the difference between traditional animation and computer animation. Hence this article will try to explore all the basic differences of the latter and also give you advanced thoughts on how to notice each.

From the early days of cell-based animation in stop-motion, up to the current 3D  seamless and creative works, the growth in technology made things easier, smoother, and faster.

Therefore let’s check the differences in the tools involved. Traditional animation artists need a lot of stationary such as cell paper, collages, pencils colors, and many other equipment to establish an animation. This either does not bother the computer animator a lot as they just need their laptop which can wholesomely support the programs. Then before running the software, the creator must be able to understand its basics and fully comprehend how to draw on them various moves for better quality.

Also, another aspect is the cost of production associated with both. In traditional animation, the cost of production is very much higher than that of computer animation. This is because of the tools involved in production. Computer animation removes the need for many extra tools used in traditional animation and the whole process is computerized, in that sense still pencil work cannot be ignored in computer animation to make outlines and perfections.

In traditional animation, there’s little room for error in the production period, as each sequence or character can be redone when a mistake appears, unlike computer animation where only you can undo mistakes that are made on the animation to a certain number and the rest remains the same. Hence requires that in each computer animation, visualization is very important to enable distinct character drawing.

In recent times though, there has been perfection in traditional animation till one cannot differentiate between it and computer animation. However, there are a few differences, and in some cases, it is possible to differentiate, such as the things you pointed out. Cell cartoons often use thinner lines (except for when drawings are xeroxed onto the cells) and the line color is almost always seen as dark grey/brown as opposed to pure black. Another major difference is fairly easy to replicate these cell trademarks in computer animation, but most companies see no reason to. Hope this helps you in your journey and for any assistance in animation kindly contact Prayan Animation

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Why Learning Cartoony Animation Makes You a Better Animator?

Why Learning Cartoony Animation Makes You a Better Animator

In the animation world, for one to thrive and be successful as an animator, one needs to be creative, competitive, innovative, and hardworking just to mention but a few. However, this does not come on a silver plate and it means that one has to face some exposure to different animation sectors and even meet with potential animators to learn from them.  Additionally, proper practice and optimism are key to this. Since time immemorial, many animators have been defining their way to the best animators’ panel simply by learning Cartoony animation. Hence this article explains why learning cartoony animation makes one a better animator.

To begin with, cartoony animation is important to animators and makes one a good animator because it renders one to caricature and movements of its kind. This is one of and most common ways of creating art. To elaborate this, by learning cartoony animation one is exposed to caricature movement which enables one to give skilled artistic touches to an animation that amps it and makes it special in some manner.  As a result, as a good if not the best animator, you need to exhibit high and creative caricature in your animation just like in cartoons.

Additionally, cartoon animation makes one versatile. This means that by learning cartoony animation as animators our design minds and third eyes are opened to movement possibilities that we never thought of their existence. Furthermore, we will be able to exhaustively explore and make use of 2 frame anticipation as well as pop up your character from one point to another on the screen with a minimal number of frames. This makes one a smart animator among many.

Last but not least, with cartoony animation, animators are able to be equipped with the fundamentals of animation design. This is because the cartoony animations seem to operate under rules that are different from the naturalistic movements. Therefore, spending time and learning cartoony animation makes one comfortable in moving along the spectrum starting from realistic to caricature movements.  This also enables one to learn and identify the importance of movement whether in the wild take realistic refinement or anything close to the above.

From the above, we are able to point out the benefits of cartoony animation to animators who decide to learn and get it. Therefore, in order for you to perfect your animation skills as an animator through cartoony animation, do not hesitate to contact us simply click the Contact Us button for a quick response.

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What not to do as a New Animator?

What not to do as a New Animator

Someone once said that if you join a game, you need to study the rules first then you play your best. Similarly, when you join the animation world, you have to understand its rules first then you perform your best. This means there are some things and acts that you are not supposed to do as a new animator in order to propel your breakthrough. Therefore, this article clearly explains what you are not supposed to do as a new animator.

First and foremost, as a new animator, you are not supposed to talk. That’s hilarious. When dealing with the studio or organization hierarchy or even the senior animators, you need to keep your mouth shut. This is because; in a meeting, almost nobody would like to hear your opinion or critique, and furthermore, you are not supposed to defend yourself or even interrupt when you’re taking notes. To elaborate, as a new animator, you are still new to the animation environment and hence you have not learned the stripes and the politics of the same place. Hence you need to take time and learn before you start yapping around.

Secondly, as a new animator, you are not supposed to rush your work instead take time and ensure you submit a quality service to the client. At first, you might be subjected to pressure and time refrains but in the end, the quality of your work is what will be voted for. Hence it is advisable to avoid compromising your quality for the quantity of work done. Additionally, if you cannot work with fast and quality then avoid fast and middling. As a new animator, better be slow but sure.

Moreover, do not complain or be pessimistic. As a new animator, your work is unsteady enough hence you need to avoid enemies who can be brought about by badmouthing coworkers or backbiting the studio life in general. Besides, avoid gossiping, humming, judging, and complaining. Being on the positive side and avoiding bad companies will strengthen your reputation and at the same time improve your work efficiency.

Additionally, do not take criticism at a personal level. As a new animator, you have to know when someone criticizes your work; he/she is not targeting you personally. Instead, we have to love honest and no-hold-barred critics since they help us grow in one way or another. Last but not least, you have to be open during a critic else you will find yourself stagnating at one point in your profession.

In addition, do not isolate yourself. Wherever place, you will be do not form a cocoon of solitude but instead, seek advice and comments about your work in a respectful manner from other coworkers. You need to be socially open and friendly to other colleagues. If you find yourself stuck in one way or another seek assistance quickly and instantly rather than later. This will help you cultivate a good relationship with your workmates.

In conclusion, as a new animator, you have to observe the rules of the studio and work environment and work according to perfection in your work and satisfy end results. This will help you to gain other people’s confidence and hence trust over something and you will find yourself automatically suited in any work environment.

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Stepped and Spline Blocking in Animation

Stepped and Spline Blocking in Animation

When designing animation, especially 3D animation, there are many steps that are involved. One of these steps is blocking which tends to put many animators in the dilemma of which specific method to use. Blocking is a technique used in animation in which key poses are shaped in order to set up the timing and placement of characters and props in a given specified shot. There are different methods in which blocking can be achieved some of which are stepped and spline blocking as discussed below.

Stepped Blocking

In Stepped blocking the animation curves of the blocked shot do not provide interpolation between the animation poses. This method is significant because it communicates big ideas and general clarity through the keys and breakdowns. Additionally, the main purpose of blocking using this method is just to verify and prove the concept. Moreover, by using the stepped blocking method, the animator is forced to think in terms of poses, beats and tremendously explains the large ideas.

Some of the advantages of working with this method are that it is normally faster and gives one the option of correcting and rectifying mistakes as early as possible. This means that if any change is necessary it is easier to do it in the rough state.

However, its main disadvantage is that it is difficult to add more information to market your idea by keeping it simple and clear.

Spline Blocking

On the other hand, the spline-blocking technique helps the animator assume a vivid understanding of who the characters are and how they are supposed to move. Hence this method allows one to work organically and straightforwardly. This is important because it enables one to know how the animation is going to work right immediately from the blocking stage.

In addition, with the spline method, the computer usually interpolates for you and hence you are able to get a clear grasp of how the timing of the animation is going to be. In the event that it does not satisfy the animator, he/she is able to shift the keyframes without playing the full animation. This helps in focusing on the posing rather than the animation.

Consequently, with the spline method, it is easier to fix things like following through and overlapping actions. This gives the significance of the method as you can get 70-80% of the way right in your first pass and hence finishing the shot can be a little bit easy.

The disadvantage is that it is easy for one to be distracted by the exclamation of the keyframes when one should only focus on the timing.

In summary, for an animation to be complete it can be blocked in any method above according to the animator’s preference. Hence if you need your animation to be blocked in either method, simply contact us for the same.

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Are Comic Books an Effective Way for Education?

Are Comic Books an Effective Way for education?

This is one of the subjects that has caused an uproar and debates all over the world, as other people refer to being juvenile. In the real sense, why would one call such a work of art juvenile of which someone took time to craft and fine-tune each detail so as to pass information? This is the fundamental question that one has to ask in each forum since these graphics are part of art which encompasses music and dance.

When we look at comics from a wider perspective we find that they aren’t only used to represent fables and other fun stories but also they have penetrated into the teaching arena. This is because children and most people tend to remember what they have seen more, than teaching a whole science class with theory and a few diagrams as they are engaging. Therefore the comics are able to deliver their effectiveness through the following:

A. Engage the students with the language and the graphics at the same time. This is because they tend to motivate and support those ones who struggle to read and by the end of it they understand a concept they were having a hard time with.

B. The comics in their real representation present a bulk of information within a very short time and one can actually use them to recover on lessons that they were not present. The graphical representation plays well with the text to provide the relevant meaning. This helps to simplify complex issues in subjects such as math, science, and social studies.

C. Enhance high memory retention. Memory retention is high and that’s very important, just like when narrating a superhero story to fellow kids: the comics for different subjects make learning easier as the kids can recall the pictures and the wording of each step as they were amazing, what happens next is discovering a great bank of knowledge.

Also before one familiarizes themselves to read texts well let them follow the story line of the comic and they will understand better and verbalize it later. Therefore with the benefits of comics, it’s highly advisable to use them to enhance the learning process and achieve better results. Why wait to contact the best comic book creators in India?

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Factors Separating Good Animator from the Bad Animator

Factors separating Good Animator from Bad Animator

When we talk about animation, the key things that come into our mind are the art involved in making these animations, the qualities, and the skills that are employed in order to ensure one is a potential and good animator. However, not everyone who practices the art of animating is a good animator. As a result, we bring you the factors that one considers and hence separate a good animator from a bad one.

First and foremost, for one to be a good animator, one major aspect that an individual can bank on while separating a good animator from a bad one is the level of creativity and imagination. A good animator from the works of his/her art portrays a high level of creativity and imagination since the graphics that he animates are amazing, eye-catching, and attention-seeking. Thus for one to be such a good animator, the level of creativity and imagination should be good to ensure all his works are at the epic of animation.

Additionally for one to be characterized and separated from the rest as a good animator, the person has to be patient and ensure great attention is directed to the finer details of the art. This means that good animators not only do the animation tasks for rewards and wages but as well as the passion to do a good thing. This directs him to take his time and ensures he delivers a quality job rather than a shoddy job for the sake of final rewards.

Furthermore, a good animator is characterized by a sense of humor and his level of keen observation of an object before doing the job. This facet of humor is important since it helps to maintain the audience during the presentation and also it attracts and imparts interest in someone to know more about something.

In summary, from the above explanations of qualities of a good animator, just to mention but a few, a good animator has much that is expected from him/her. Furthermore, to be a good animator, one also is supposed to be conversant with a variety of computer software and graphic techniques.